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HOW SCIENTOLOGY COERCED A CHILD TO HAVE AN ABORTION: THE LAURA DECRESCENZO FILES

HOW SCIENTOLOGY COERCED A CHILD TO HAVE AN ABORTION: THE LAURA DECRESCENZO FILES

—————- In anticipation of her biggest day in court yet, Laura DeCrescenzo and her attorneys hit the Church of Scientology with 928 pages of new filings —————- Details from 18,000 pages of evidence show how Scientology manipulated a child to keep her working under slave-like conditions —————- A key document describing DeCrescenzo’s unwillingness to have her coerced abortion is missing from the evidence Scientology was ordered to produce By Tony Ortega Wednesday afternoon, Laura DeCrescenzo filed explosive new information in her four-year legal odyssey against the Church of Scientology, submitting 928 pages of new declarations and exhibits in anticipation of a crucial October 23 hearing in her lawsuit against the church which alleges abuse, including allegations that she was forced to have an abortion at only 17 years of age. Key to the new filings is information gleaned from thousands of pages of previously secret files that the church fought mightily to keep under wraps. But on Monday, the U.

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Jenni Rivera Missing, Plane Crash Suspected

Just saw the news that Jenni Rivera, the Mexican-American singer from Los Angeles, is missing after her plane lost contact with air traffic controllers in Mexico. (The latest news is that wreckage of the plane was found, and there were no survivors. This is really sad news.)

A decade ago, when we were writing for a newspaper in LA that doesn’t exist anymore, New Times LA, we had the privilege of getting to know the Rivera family, in particular Jenni, who was already a huge star among the Latino population there but completely unknown by the mainstream media.

We wanted to share with you the wonderful young woman we got to know at the end of 2001.

We’re putting up the final portion of a longer cover story about the Rivera family and how they became a musical dynasty through the rise of the narcocorrido.

——–

From “Viva Los Outlaws!” published January 10, 2002 in New Times Los Angeles

…Today, Lupillo Rivera is the most popular member of the family, a Chalinito who draws huge crowds on either side of the border. Juan and Gustavo each have gained ground on him in the past few years.

But the most interesting, and most surprising Rivera singer, is their genre-busting sister.

Jenni Rivera says it’s a hard thing to do, but she has to turn down the many requests she gets from the teenage daughters of drug dealers to play their quinceañeras. “I get letters every day: ‘My daddy can pay anything for you to play for us,’ they’ll say. I try to be as nice as possible. But I tell them I’m just too busy. I don’t want to offend them,” says Rivera, 32. She and her brothers have a strict policy: They only play on stage, and not at private parties, where things might get sketchy.

On the other hand, it was a drug trafficker who ended up introducing Jenni, if indirectly, to her husband. She had been at a concert in 1995 at a club in Lynwood — someone else’s concert, she was only standing in the audience — when a local gangster began saying he would pay anything to see Jenni sing her signature hit, “La Chacalosa.” She says she told him to keep his money, she’d do it for free. When she got onstage, another fan named Juan Lopez jumped up to take his picture with her. They ended up getting married and today live with their five children — three from her previous marriage — in a house in Corona.

It’s a long way from a childhood growing up in west Long Beach, where her father worked in a factory and money was tight. Jenni’s dad dreamed of being a musician, not a gangster. He tried to interest her in singing as well. At 11, she remembers, her father, Pedro, took her to a competition. “I forgot the song in the middle and ran out crying.” (Later, as a sort of revenge, she ended up recording that very tune.)

Pedro was having trouble finding publishers for his music, so he decided to start his own label. And he financed it with a unique scheme in 1984.

“Somebody sold my dad this huge bag of defective Olympic pins,” Jenni remembers. “He fixed them and had each one of us at different corners at the Coliseum and the Sports Arena. We sold a lot of them, at a dollar apiece. That’s how he raised the money for the label.”

The Cintas Acuario label was born. But Jenni would not have much to do with it for quite a while. After getting pregnant while attending Poly High School, she dropped out and finished at a continuation school. “I was married and tied down to one of those macho men,” she says. But she was determined to do something for herself, and began a career in real estate. Her first marriage ended in 1992. The next year, she began to record occasionally with her father’s label. Her brother Lupillo had already started putting out records, and she saw it as a part-time thing to do, a hobby to supplement her real estate job.

But then, the Chalino Sanchez phenomenon hit the label. “Chalino was selling like crazy,” she says. “Lupillo was looking for new talent. My dad asked me to work full time for the label.”

So she did, helping with the business end of things. But, being the savvy American careerist that she is, she took a long look at the emerging Chalinito narcocorrido craze and brainstormed a way to make a real impact on the scene. She decided to record a corrido, something that was simply not being done by other women.

“I was a businesswoman,” she says. “I knew you had to have something unique to market. And writing was my best subject in school. So I wrote a corrido. It took me 30 minutes. I recorded it the next day.”

“La Chacalosa” was an instant hit. Soon, she was being called the First Lady of Corrido. “The song is about a girl, a daughter of a drug dealer, and how she’s on the run. It’s a Thelma and Louise thing. She’s the ‘bad one,’” Rivera says, which is a loose translation of “Chacalosa,” a word that literally means the “jackal-woman.”

Los amigos de mi padre me enseñaron a tirar/

Me querian bien preparada, soy primera al disparar/

Las cachas de mi pistola de vuelo han de brillar

(My father’s friends taught me how to shoot/

They wanted me well prepared, I’m the first to shoot/

The bullets from my gun shine as they fly)

“The reaction was like, “Wow.’ The CD was selling even without radio play,” she says. Until 1999, she points out, radio stations seemed to want nothing to do with the narcocorrido boom. Then, La K-Buena 105.5 FM began playing Chalino, the Riveras and El As de la Sierra. Today, it’s the fourth most popular Spanish-language station in L.A.

Rivera says the reaction to her songs was amazement: “How could a female have the guts to do that?” Soon, she had carved out a niche all for herself: the feminist narcocorrido. She began recording songs about uppity women who were determined to show that they could pull off drug deals and win gunfights just like the men.

But she says there’s been a downside to her success. Now that she’s known for busting the male grip on the corrido, she’s afraid that’s all her fans want her to do. “It’s been hard to convince other people that I can do something other than the corrido.”

As more Chalinitos appear on the scene to cash in on the boom, the Riveras say they’re beginning to get away from the narcocorrido.

Jenni Rivera says that on her latest album, which will be hitting stores soon, she doesn’t have a single corrido. Instead, she is trying to break even more boundaries. Now that young Mexican-Americans have found the music of their parents and made it their own, Rivera says, she’s experimenting with bringing to that ranchera style the music they listened to while growing up. On her latest album, Dejate Amar, for example, there’s a banda rendition of Freddie Fender’s “Wasted Days and Wasted Nights.” She says it’s gone over huge with her fans. More startling cross-cultural pairings will appear on upcoming records, she promises.

She agrees with Wald that the real appeal of the ranchera and narcocorrido has been the music’s ability to make young Mexican-American fans feel truly Mexican. She acknowledges, however, that some people are uncomfortable with the drug themes. But she claims that it’s a harmless subject for songs that speak more to feelings of belonging and rootedness.

Author Elijah Wald agrees: “This is not dope-smoking music. There’s nothing menacing about the sound of an accordion polka. The music is really saying that this is down-home.

“The reality of L.A. is that it’s becoming a Mexican city,” Wald says. “And this is the music of a Mexican city that isn’t pretending to be anything else. It’s a fascinating world. Forty years ago people would say “I’m not Mexican, I’m Spanish.’ Thirty years ago they said “I’m not Mexican, I’m Chicano.’ And today, if you read the L.A. Times, you would think that young people are going around saying “I’m not Mexican, I’m Latino.’ But they’re not. They’re saying, “I’m Mexican.’”

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  • Johnson

    sad… if only she were OT.

  • http://www.facebook.com/people/Gerard-Plourde/1127841398 Gerard Plourde

    Thanks for sharing this story. Although the information about the crash seems troubling I’ll hope for the best.

    • Sherbet

      Same here.

    • Sherbet

      Same here.

  • MrsLibnish

    That is very very sad. OT (as in off topic) question Tony…did you also do a story on Lauren Spierer? The girl who went missing from Indiana University? I followed that story for almost a year…no leads and still unsolved. I went as far as to call the psychic that was called in the first week she went missing. She gave me some very interesting details. 5 persons of interest and no arrests made, it was all very strange and had just about every element for bad news. Girl with a heart condition, drugs, alcohol, they could track her whereabouts on camera through Bloomington up until a certain time frame. I’ve heard every consipracy theory out there. I could have sworn I read several articles by you during that time.

    • t0ny0rteg4

      No, I never covered that story.

  • http://www.facebook.com/people/Chuck-Beatty/1631176570 Chuck Beatty

    I hope this is not a tragedy, thanks for telling this woman’s story.

    I love LA, and it’s a unique American melting pot city.

  • Sidney18511

    Latest news……plane crashed, no survivors. It went down about 15 minutes after it took off. She was the mother of five children.

  • Trustmeonthis

    Wow. So sorry to hear it.

  • DodoTheLaser

    Rest In Peace, Jenni.

  • sugarplumfairy

    =(

  • willloomis

    Hate to sound callous but is there a Scientology connection here?

    • Tony Ortega

      No, there isn’t. But it’s not every day that someone you get to know in this business is killed in a plane crash. I just wanted to share my old story about her, and this was the fastest way to do it. Now we’re back to regular programming.

      • sugarplumfairy

        glad you did, Tony.. When I read the news today, I felt like I already knew her..

  • 0tessa

    Even the newspapers in my little corner of the world brought this story.
    Very sad.

  • burythenuts

    So very sorry.

  • BosonStark

    How sad for Jenni’s family and all who knew and loved her, her music, and awaited her new TV series, which potentially would have brought her even wider recognition. At least she had the time to be successful in her music career.

    Ritchie Valens (La Bamba) died in a plane crash when he was only 17. Selena was shot at 22 by the president of her fan club.

  • DianaHubbard

    So sad.

  • willloomis

    I really put my foot in my mouth on that one, I’m sorry about you’re friend Tony.